Hiventy provides all digital image and sound restoration services through the validation and final delivery of the elements needed to rebroadcast the restored work.
-Cleaning and priming
-Dry image developing or 2K, 4K and 6K scanning from 35, S35, 16 and S16mm with Scanity or Arriscan, 2-, 3-, 4- or 8-perforation in 10 or 16 bits, color or black and white with tinting and toning
-Scanning of magnetic (MWA MB-51) or optical (Resonances) sound with Protools plug-in
-Conformance in 2K, 4K or 6K
-Image restoration using Diamant and Phoenix stations and, depending on the project, semi-automatic stabilization, deflickering and dusting tools. Particular attention is paid to respecting the image texture and grain. This step allows the faithful restoration of a work without the addition of new elements.
-2K or 4K calibration supporting all color spaces (Rec709, DCI P3, Rec 2020, HDR, Dolby Vision).
Hiventy has three calibration rooms equipped with digital projectors and 4- to 8-meter screens for real-time work and film monitoring. One room is also equipped with double projection capabilities (film and digital), allowing side-by-side photochemical/digital comparisons.
Hiventy works through the final stages of validation and availability of all deliverables associated with broadcasting a film: DCP for cinema, DVD or Blu-ray, digital PAD for a television broadcast or a file intended for digital platforms.
The company also handles production of deaf and hard of hearing audio descriptions and subtitles to allow for distribution to all audiences.